/The Hulu Show on FX will make you want to watch it twice (via Qpute.com)

The Hulu Show on FX will make you want to watch it twice (via Qpute.com)

Sonia Mizuno Lai plays the new FX in Alex Garland’s Hulu series “Devans”, a coding drone operating in Amaya encryption, a large technology campus planted in Redwood Forest, a shuttle-bus drive from San Francisco. His boyfriend, Sergey (Carl Glusman) is a budding genius in quantum computing and when he demonstrates an algorithm that can predict the behavior of nematodes arbitrarily, he is drafted by his lank-haired, bearded boss, Bon (Nick Offerman), on a project called Dave’s. . (Allison Peel as Katie is Forrest’s right-hand man, or maybe he is hers)) Amaya knows all about the gods but no one outside the few who work there knows what, or what, or what she is trying to do.

One day Sergey goes missing – how and when the mystery goes on to the viewer – and Lily lists the help of her old boyfriend Jamie (Gene Ha) to decrypt an application on Sergey’s phone in search of her graduation. Thus begins a familiar kind of thriller, if one is abnormally frustrated on the other and the metaphorical sci-fi magic show on the other.

Garland, author of “Ex Machina” and “Annihilation” films (as here), is a sci-fi classic that he started with and asked big questions. One would infer from his work that he was keenly interested in science and philosophy and philosophy, if not academically, and from its appearance and tone, “2001: A Space Odyssey” really blew his mind. Explicit and subtle, worrying and exhausting, ice and sensitive, the “gods” have the taste of a deep-night-to-room conversation: excited, searching, and somewhat beautiful.

Topics to discuss include free will vs. determinism, classical vs. quantum physics, a universe vs. multiverse, and that old standby, “What is reality?” This will certainly involve some visitors, as others will be coming out of our allegorical films house to see what’s on the snack bar.

Sonoa Mizuno at the “gods”.

(Mia Mizuno / FX)

(FX has a number of spoiler requests, but these lines from the trailer give a pretty fair idea of ​​the series’ thematic and dramatic concerns: “Nothing happens without a reason” “” You want to take it down? “” It’s impossible to feel that part of your life). It was just an illusion “” “It’s an amazing fact where love will take you, the road you are on. The longer you travel, the longer you go ”()

Garland, who holds a degree in art history, has reunited with production designer Mark Digby, set decorator Michelle Day and illustrator Rob Hardy, and like his previous works, “Devas” is a magnificently worked film art object. Every shot is well considered, and everything within each shot is considered. With the golden floating cube where the divs are housed, the core brain of his supercomputer is displayed in a central vitrine – as if in a gallery, or a lobby of a boutique hotel – as much as anything that happens inside it. (Shook, this is also a semi-religious place)) The monumental, surrealistic statue of that little girl on the treetops of the Amaya campus is a clear, clichéd view of the animating trauma of the forest, the Charles Ray sculpture 10 times.

His actors are also very nice and modern, and even models like Offerman, whose iris, whether for photographic or post-photographic reasons, have a strangely translucent illumination. The first time we see Lily – Mizuno appeared in both “Ex Machina” and “Annihilation” – she has a thin, fuzzy shape against the light: an alien.

Towards the end of the series, the two characters, at the time of the assassination and the two characters become associated with heavy business, split into something resembling an unexpected casual conversation, coming as a great relief. (Follows Frissy) Actors When we think of villains more or less we talk to a kind of parent-loving character we also thought of as a heroine, late in the game, it was a treat – a human moment that wished before. And more often.

Garland has taken on television real estate and captured its story on two sides and expanded it like an eight-hour taffy. He did not use spare time to sew in lateral plots and digitization or to develop more than cursory backstories. He let everything go slowly, lasting longer. (“Gods” easily fits into a film of length, with no injury to the story or character), and so the action often moves in the style of Noah’s theater or the Robert Wilson opera, if you want or are left with the sluggishness of disappointment. It doesn’t give you a lot of time to think about things and see where Garland can go before getting there.

Allison Peel on “Gods.”

(Mia Mizuno / FX)

If “Ex Machina,” about a fame fatal Android and the one she loves, is essentially a James M. Cain thriller – “Double Indemnity” for the robot – “Devas” Hitchcock’s thriller Bones, Lily’s average Jane sucks in her chaotic chaos. Although where Hitchcock relied on McGuffin, the meaningless central device that excites the characters and drives the plot, Garland is fully invested in the effects of his thought-provoking gizmos.

Deep thinking and glossy surfaces mark it recognizably as Garland’s work but most of the story follows a well-burned path. Security Chief Kenton (Zach Grenier) uses the behavior you expect the security chief to handle in a thriller. This equation, “the science of mourning by grief”, has driven a lot of abandoned antiheroes, though knowing sci-fi that allows us to change the future or simply create situations that inevitably fulfill the future is sci-fi 101. “” Scrooge asked the third soul, “Are these shadows of those things?” Or are they just shadows of those things?

With all that came before it is no surprise that Garland offers something for quantum completion that may be considered happy or dissatisfied – or both – depending on your reading. (There is a quantum about him about Nick Nickerman himself, a mixture of his formality and the ban of ordinary intellectualism: he’s a particle and a wave.)

Yet, there is nothing by accident about the finished product for all who seem open or random about the “gods”. The seemingly abusive or cognitive dialogue – at first when Bon Sergey says “Don’t worry, I know you’re about to get it out” – the second look has been shown to contain a careful throwing nugget. Some must see “gods” twice. This is the prediction of my future series and I feel confident about making it.


Where: Hulu FX
When: Anytime, starting on Thursday
Rating: TV-MA (Not suitable for children under 17)

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